June 20, 2007
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manchestereveningnews.co.uk:
Damon's Monkey business
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Damon at the "Monkey:
Journey To The West" rehearsals |
AS
Damon Albarn walks into the Palace Theatre, he's greeted by a
chorus of "Hello Damon" in lilting Chinese accents.
The combination of the Gorillaz frontman and
a troupe of Oriental acrobats and martial arts experts is a
strange one, but it's a sharp reminder of just how ambitious
the first
Manchester International Festival is.
It's just over a week until the premiere of
Monkey: Journey To The West, a 'circus opera for the 21st
century' that will kick off 18 days of ground-breaking
festival shows.
Former Blur star Damon arrives from London
to check on rehearsals, still a little groggy from celebrating
his new band The Good, The Bad And The Queen winning best
album at Monday's Mojo awards.
But he's still got time for our exclusive
chat.
It's been billed as `the next Gorillaz
project', but as the composer of the piece, Damon will not
actually be playing on stage.
However, Festival director Alex Poots has
joked that he can't imagine Damon not wanting to dive into the
orchestra pit and help out on opening night.
"No, I don't think that's going to happen,"
Damon politely demurs. "This is a very different thing for me.
For the first time in my life, I'll be able to hear my music
played, properly, because obviously I've always been in the
middle of it.
"But more importantly there's the potential
if we get all the elements together working for people to
really experience something which is entirely new."
For Monkey, Damon has teamed up again with
his Gorillaz buddy Jamie Hewlett and internationally-acclaimed
opera, theatre and film director Chen Shi-Zheng to rework an
ancient Chinese legend as a dazzling spectacle involving
Chinese circus acrobats, martial artists, aerialists, singers,
a live orchestra and some stunning sets.
Massive
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The poster for the opera |
Rehearsals and construction of the set have
been going on all over the world, but for the first time
yesterday all the key elements were in one place for the first
time, at the Palace Theatre.
So if Damon had known at the outset how
massive it was going to be, would he still have said `yes'?
"Well, yes, because it was definitely the
challenge that was the thing from the outset," he insists.
"My brief was to write a modern opera, which
obviously was something I'd never done. It's still a challenge
now, in fact. We're still learning and refining.
"I would think that in a week we'll have
something that we might consider to be runnable.
"But it's just such a fantastic thing to be
part of and we trusted Alex and the festival because we'd done
so well with the Gorillaz' Demon Days show here.
"So we thought it was a good chance to take.
"But it's been testing. The hardest thing,
though, hasn't been finding time to do both this and The Good,
The Bad And The Queen but has been finding enough time for my
family.
"Balancing everything is always difficult,
but the only way it's going to really work is if you do that."
The inspiration for the International
Festival is the city itself, to celebrate the fact that
Manchester was the birthplace of modern industrial society.
That's why director Alex Poots decided to
make the Festival quite different from any of the hundreds of
others in the world and why the Manchester International
Festival is the first festival anywhere to consist of original
new works.
Over the last few years, Alex and the
festival have commissioned more than 25 works from hundreds of
leading artists, musicians and performers from across the
cultural spectrum. Some will, undoubtedly, be better than
others, but they're all exciting and ground-breaking, which is
what a festival should be.
Monkey will embark on a world tour once its
run in Manchester is finished and Damon admits that placed an
additional pressure on him when he was composing it.
"You're right, this is a piece that could
feasibly be around for years and that's why you have to make
every little element the definitive thing, so that it's scored
exactly as it's going to be," he says.
"That's the big difference from performances
with a band. That's always changing, but if you're composing
music it has to have a very clear language and that's been the
greatest challenge for me.
"In music, as soon as you think you've
discovered one code, you're immediately faced with a thousand
other codes. Music is infinite and, that's why for me, it's a
lifelong journey."
Monkey: Journey To The West is a Manchester
International Festival commission and is at the Palace Theatre
from Thursday, June 28, until Saturday, July 7.
From
vblurpage.com:
Thanks 2-J for finding
the above article. In addition, Damon
revealed that the score for "Monkey: Journey To The West"
gets recorded in the studio next month. The results will
hopefully be released later as an album.
See also
the showing
dates for "Monkey: Journey To The West".
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