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 Home > Articles > Interviews & Stories > Teletext, 31 August 2002


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Coxon - clearing up Blur

Hey ho, another Blur album, another rumour that they're splitting up. When The Mirror's 3am column claimed Graham Coxon had quit, it was no surprise.

It was even less of a surprise that the gossip is complete tosh. Phoning Graham (he was in the shower when Teletext called), he's happy to tell us the real story.

So, Graham, have you quit Blur? "No, it's just those three ladies (in 3am) making mischief again. I wish I knew how these stories start about Blur - it happens with every album."

You've no idea how the rumour started? "People see that we're four different personalities, so they think, 'How can they be mates?' It's silly because I think we've become such good mates again since we began the new Blur album."

The Mirror story said the fall-out was between you and Damon Albarn. "Me and Damon have known each other since we were 12. We bicker, but friends who've grown up together do. Any rows are always made up very quickly and we're beyond major bust-ups."

Do these rumours anger you? "It frustrates me that people will believe them. Angry? No. I've got a child, I'm making a record - I've more important things to worry about."

There's a lot of names being mentioned to work with Blur on the new album. "We've wanted to work with Norman Cook for a long time. That'll be happening soon. We've asked a lot of people, both Dust Brothers and Chemical Brothers.

"We've been scratching our heads in the studio, saying, 'That sounds ideal for Norm to help out on.' We've had to ask if they're available but it doesn't necessarily mean these people will definitely be involved in the end."


Sounding out the solo stuff

Is it true Neptunes will be producing the new Blur album, too? "I hardly know anything about them. Damon's mentioned them a lot to me, he's really keen, but I've not had a chance to check them out. Maybe."

The album sounds dance-based. "I wouldn't say that. There's a fair amount of songs that sound like the old Blur. I'd say rhythm is the key word - there're songs with very interesting rhythms. That's why the dance producers are mentioned."

How necessary was it for you all to have solo careers after the last album? "It's been totally healthy. We've all learnt from the other avenues we've explored since 13, and we've brought that freedom into the new record."

What's next for your solo career? "My fourth album, A Kiss Of Morning, is out in October. I'm hoping to do a little single - 1,000 copies or so - in September too. I'd like to play some live shows on my own too, if I can find the time."

How does your new solo album sound? "I've used other musicians for the first time - my friend Louis on keyboards and BJ Cole, the pedal steel guitarist."

You're known for being a quick worker on your solo albums. "This one was longer, as I didn't use any computers in the studio. I used some lovely vintage '60s and '70s equipment. It gives a warm sound, but it's physically longer to edit."

Why did you decide to use BJ Cole? "The songs are very sweet, very bluesy. They were crying out for a bit of pedal steel, that's all. I could have tried to do it, but not as well as BJ can."

Was it enjoyable producing yourself? "I've got a studio engineer, so I boss him around to do the hard work."

To sum up, then... "Yes, I am still in Blur and I'm enjoying making a new album!"

John Earls
 

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