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Graham Coxon - Happiness In Magazines
Reviewed
by
Mojo,
2004
Who'd have thought we'd ever hear Graham
Coxon singing, "Life, I love you", to delicate
piano plinks and swells of brass? Or that he'd release an
album of straight-up, dazzlingly well-realised British
pop? Yet post-Blur, and now sweet sodden sober, Coxon
presents his bravest and most focused work yet.
Happiness In Magazines is a record that
eschews distorted tangles of sound and scribbled
vignettes of inner turmoil for lucid, brittle, daylight
realism. In poking his head out from some darkened Camden
hidey hole, it's as if Coxon has opened his eyes to a
world that's bleak and battered, but animated and bright.
And never has his feelings for joy been more sweetly
obvious: the single, Freakin' Out, is a mucky punk romp,
as sparklingly pop as Another Girl, Another Planet, and
Spectacular has Coxon not just rockin', but audibly
grunting.
But what makes Happiness...something more
than Coxon cocking a leg in the wind to his naysayers,
are those tracks that not only take a stocky run at
living, but really take off and fly. All Over Me is a
soft, lithe ballad, guided by Cosmic Dancer-styled
strings, its story (collapsing in the shower, the blood
wiped away by a lover) sung in a new, glassy upper range.
Ribbons And Leaves has the same fragile beauty - part
Wyatt's Rock Bottom, part Percy-era Ray Davies, and all
urge to communicate. That the album feels so well rounded
is in no small part down to Stephen Street's crisp,
immediate production - and, one suspects, his committed
coaching of Coxon, who sings the intro to Don't Be A
Stranger loudly and with no accompaniment at all (not
even the protection of his beloved Telecaster) Proof, in
Coxon's case then, that fear is over, if you want it.
(4/5) Sophie
Harris
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